Somewhere around three, a switch flips: suddenly there are favorite shows, favorite characters, and a lot more of what feels like real conversation.
This age soaks things up like a sponge, and there’s genuinely good, age-appropriate content out there to learn from. But it’s also the age where a very particular kind of play matters most: pretend play. Playing shopkeeper, playing pirate — a big cardboard box becomes a house or a ship, a teddy bear and a stuffed dog become mom and dad. Pretend play runs entirely on imagination, pulled straight out of what a child already knows.
Most educational toys and games, by contrast, are built around a fixed set of outcomes — press this, and that happens. Convenient, but it also means the child isn’t the one deciding how to solve the problem. Lean on that too heavily, and a child gets used to being told what happens next, rather than working it out themselves.
A shortage of imagination shows up later as a shortage of creativity.
In one well-known study, young children were asked how many different uses they could think of for an everyday object. The kids who expressed emotion more richly came up with more ideas — and years later, the same kids were still coming up with more ideas, and were also better at bouncing back from hard experiences.
- Good at: delivering age-appropriate content kids can watch and enjoy
- Not as good at: giving a child the chance to invent, decide, and problem-solve on their own
- Not as good at: teaching empathy — that only comes from real interaction
None of this means cutting screens out. It means being intentional about how much room is left for the kind of play only a child’s own imagination can generate — pretend play, drawing, blocks, clay, a made-up game in the backyard.
And a read-aloud fits right alongside it: hearing a story, and picturing it, is imagination at work in exactly the same way pretend play is. A few minutes with a book, snuck in between the day’s other adventures, keeps that muscle in shape.
A collection of my own reflections on raising bilingual kids abroad — without the pressure to get it perfect.